There are likely more great new acoustic guitars at the $500 and under street price range today than ever before ever (after adjusting for inflation, of course). As fantastic as this evolution seems on the outside, in addition, it suggests that finding a really great acoustic guitar at that price range might actually be a larger challenge than ever before.
Companies that mostly concentrate on electrics and international mass manufacturers often attempt to attract first-time buyers by providing acoustics adorned with plenty of flash and glitz like vibrant finishes, glistening inlay work, and elaborate electronics system with a lot of knobs and flashing lights.
Taylor's brand new Academy Series creates a bold case for why the title on the headstock ought to be a purchaser's chief concern. It's simple to construct a great guitar by copying preceding successful layouts, but it requires a particular skill set and years of painstakingly developed know how to construct a fantastic guitar within specific price and material factors.
The Academy Series versions aren't "dumbed down" funding variations of Taylor's more expensive models, but instead entirely new designs designed to provide the utmost possibility of an acoustic guitar in this price range. They are also brightly created for optimum playing comfort under the understanding that the first time players that are most likely to purchase these tools are also more inclined to continue playing with a guitar that is simple to play and sounds great.
The Taylor Academy Series now includes three versions–the steel-string 10e (dreadnought) Flattops and also the nylon string 12eN. With this review, we looked at the steel-string versions. With the exclusion of the various body measurements and neck substance (the 10e's neck is Sapele, whereas the 12e's neck is mahogany), both the 10e and 12e share nearly identical capabilities.
Neck specifications incorporate a 24 7/8inch scale length, 20 frets, 1 11/16inch nut width, along with a slender profile with only a subtle sign of a round "v" summit at the middle.
The Academy Series guitars have understated aesthetics which some may call austere but you can also call elegantly easy. There's absolutely not any binding or purfling everywhere, and the only real visual cosmetic components would be the three-ring rosette, 4mm Italian oil dot fingerboard inlays, and Taylor name on the headstock. But, one unexpected feature is that the armrest bevel on the lower bass bout–an ergonomic feature formerly only found on far more expensive custom made acoustics.
In another odd departure to get a Taylor acoustic-electric, the new ESB pickup/preamp program includes a built-in digital chromatic tuner as well as the typical tone and volume controls.
If even the most seasoned acoustic professional should happen to play Taylor's Academy Series guitars blindfolded, I doubt that he or she'd guess that they're tools with street prices around $500. The 10e provides classic dreadnought tone using a strong, assertive voice that's astonishing considering that its shorter scale length and that the guitar was strung with light gauge strings.
The bass is not quite as boomy or large, but a lot of players will think about this a bonus because the midrange can be marginally more notable and sweeter–ideal for rock rhythm playing on point without having a bass cut filter. This is really a honey for fingerstyle players using a rich midrange, astonishingly voluptuous treble, and bass that is excruciating, but it is also a fantastic rhythm guitar for solo singer-guitarists.
Maybe the tone of the two versions is not quite as harmonically intricate or richly resonant as dolls costing five to ten times as much, but even discriminating players will surely discover the core foundation tone of the two compellingly attractive.
*The solid Sitka spruce top has a distinctive Academy bracing pattern that's voiced especially to each version's shorter scale length and light gauge strings. The best acoustic electric guitar guide contains a lot of related pieces of information, like who invented the electric guitar.
*Taylor's brand new ESB pickup/preamp program provides a built-in digital chromatic tuner with LED screen.
*An armrest bevel at the lower bass bout supplies improved playing relaxation for players who break their choosing arm onto the guitar's top.
THE BOTTOM LINE
The Taylor Academy Series guitars might have "plain Jane" look, but guitarists of all levels of expertise will find it difficult to not fall in love with their hot audio quality, comfortable playability, and striking electronic equipment.